In his first film El Santo was still referred to as ‘El Enmascarado’. Rendered compliant by a scientist and his gangsters via a serum and mysterious rays, he is forced for the opening act to be a henchman for the evil forces who want to take over the world. The film has great historic value, due also to its impressive exterior shots of pre-revolutionary Cuba 1959.
Joselito Rodríguez
Enrique Zambrano
Enrique Zambrano
Fernando Osés
Joaquín Cordero
Dr. Campos
Norma Suárez
Elisa
El Santo
Santo, el Enmascarado de Plata
Fernando Osés
El Incognito
Alberto S. Insúa
Gerardo
Enrique Zambrano
Lt. Zambrano
Juanito Tremble
Enrique Almirante
René Socarrás
Agrupación de Técnicos Cinematografistas de Cuba
Azteca Films